How I Learned to Love the Compact Camera

Winter's Grasp

Winter’s Grasp

I had never heard the term “polar vortex” until the winter of 2014 and that was just one of the things that will make this winter something to remember. In central Illinois, we experienced record a snowfall covering the ground with snow for days on end. Fortunately, snow and monochrome photography are soul mates. However, with my regular working schedule, I did not get as much time shooting in the snow as I would have liked. I could have thrown my gear into the car for any impromptu opportunities, but with below zero temperatures, that really was not an option.

On one of the miserable winter days, while returning to work from lunch, I caught a glimpse of a tree beside a frozen pond. The wind-blown snow covered the tree on one side with the dark bark of the tree showing through on the other. My eye locked in on the beautiful contrast between the dark bark and the glistening white snow.

In my pocket I carried my new compact camera, a Sony RX100 that was literally only one day old after being removed from the box. I purchased the camera to augment my black and white film gear that I planned on taking to Yosemite later in the year. I wanted a small camera that would capture a good image, shoot RAW images, and would fit easily in my camera bag without adding a lot of weight. A quick review of the user’s manual the night before gave me enough information to turn on the camera and find the menu screen and not a lot more.

I climbed over a neck-high pile of snow left by a snow plow and walked out into the knee-deep snow looking for the right composition. Once I found my composition, I fiddled with the menu options to find the manual setting since I needed to overexpose the image (against what the camera light meter was telling me) to make sure the snow was white and not gray. I fired off a set of three bracketed images, climbed back over the snow plow hill and returned to work.

The resulting image shown here would have never been captured if not for the compact camera I carried in my pocket. This kind of “opportunistic” photography is something I am not necessarily used to doing, but with my little compact camera it is quickly becoming part of my portfolio. While I do not foresee giving up my TLR or my DSLR anytime soon, I am learning to love my compact for those shots that would have never been captured.

P.S. Yes, I own a phone with a camera and could have taken a crappy photograph of the tree complete with gray snow and hardly any contrast. My phone makes calls, my camera captures photographs, and my tablet downloads email. No need to mix them together.

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Jeff Burton Takes Honors in 2013 IAL Membership Art Show

Just You and MeJeff’s photograph Just You and Me of a sunset in Grand Haven, Michigan was awarded First Place in the Photography Division at the 2013 Illinois Art League Membership Art Show. Established in 1960, the purpose of the Illinois Art League remains the same today. The League offers workshops to help members increase their artistic skills, juried shows that allow members to display their work along with a newsletter and website to keep members informed of all activities.

Just You and Me captures the quiet moment of a stroll along the beach at the end of a wonderful day. The waves of Lake Michigan lap at the feet of the couple as they soak up the rays of the sun with the Grand Haven lighthouse in the background. The warm golden color of the sun glints through the glass enclosure of the lighthouse acting as if to light the way for those seeking to come home from a long summer day.

Jeff’s photograph of the falls in Turkey Run State Park named Punch Bowl was awarded Second Place in the Photography Division and his photograph of sunrise on Johnson Lake in Kewanee, Illinois called When Morning Arrives was awarded Honorable Mention in the Photography Division.

Jeff Burton is a Peoria, IL based Fine Art Photographer, who seeks to capture moments that instill a sense of calm and wonderment with the world around us. His photography style emphasizes the rich texture and tones of his subjects which are often overlooked.